So too were the parallel worlds with slits between the dimensions which could open up and allow demi gods, immortals and favoured mortals to slip through. Not that Magnus Chase and the Sword of Summer has any pretentions to being a piece of magical realism of the Rushdie pedigree, though magical it has to be with a dose of realism thrown in to ground children into belief. Perhaps the difference between the worlds of literary fantasy and children’s fantasy are not that far apart after all.
Rick Riordan’s Magnus Chase continues his trend of bringing myths to life in the modern world through very modern teens and juxtaposing American cities with mythological heavens. In this case Magnus the homeless who turns out to be the son of the Scandinavian god Frey and an American mother who gave her life to save her son. Magnus dies battling the fire demon with a rusty sword that he cannot use and that’s when his adventures really begin. He escapes from Valhalla accompanied by a failed Valkyrie and two dwarfs and sets out to prevent the destruction of the gods in the Scandinavian apocalypse, Ragnarok while the Valkyries of Valhalla are after him thinking that he is the villain of the piece, out to aid and abet the forces of evil.
Riordan turns his fantasy into a fast paced thriller with chases and supernatural villains galore, not to mention talking swords who insist on being called Jack and goats and he has certainly succeeded in interesting a new generation of children in the old myths much in the same way as JK Rowling transfers a world of magic to an English public school.